Marta De Pascalis presents a new composition for synthesizers and tape, rooted in her research on analogue sound as living matter. This work explores the sonic possibilities of analogue synthesis and machine-mediated perception. Circuit-based technology becomes a catalyst for sensory perception, while sound synthesis unfolds as cosmic speculation, translated into vibrations and sonic forms that traverse the listener in a transformative experience, investigating how sound can shape emotional engagement with music.

Marta De Pascalis’ sonic world acts as an uncanny translator that freezes and expands emotions, conveying them into unique soundscapes. Her solo works employ analog, fm synthesis, and a tape-loop system, whereby she carves waveforms to shape cathartic sound bodies. Italian synthesist and composer based in Berlin, she has performed internationally at numerous festivals, venues and museums, including Museo Reina Sofía, Berlin Atonal, Volksbühne, Café OTO, Mutek Festival, Haus der Kulturen der Welt, Berghain, Auditorium di San Fedele, Semibreve Festival, Triennale, and Chiesa Rossa in Milan. Her music has been released by The Tapeworm, Morphine Records, Canti Magnetici, light-years, and Mute Records. She has been awarded the Premio Marcello Lotti for Music at the American Academy in Rome for the 2025/2026 academic year. Her forthcoming work will be presented at 2026 Venice Music Biennale.